Not as cold as Norway
But you could see your breath
“Rhubarb” she said were off to the pub
Pulling it out of yourself
Red acrylic spreads like butter
Darkest of umber
Red purple blue
Vibrates with emotion I hear it said
Something new for the exhibition stimulates new ideas
The space itself the canvas
Like an unfinished memory
If growth is taking place then something is working right
Keeping moving but still going over the same ground
Then it wains
Millions of little factories at work
We know very little about
Got to appreciate the ability
Let your mind roam free
I am is the place be.
When the future looks unattractive we spend more time thinking of the past.You my have prospered emotionally there’s no guarantee will that continue ? we have to take charge now.I’m in a different place from we’re I started vital art development 6days 6 weeks none stop into a studio lone but not lonely the year went by fast.A painter is like a traveller with every first step finding new ways unable to stop left or is it right .A clear line without clutter absorbing the cost along the way ,we lean in and slow down .Bring past experience to bare art is as varied as our needs innate power drawing us in if we are not care full takes over concentration to isolation.
The most important the ones closest are the ones that help us the most
quiet ways my gal Maxine and David .
Constructive development we calculated the cost after – rent/ petrol/ parking/ food and drink though I recall losing weight went through two grand a tool at the right time. Use influence from the past does not fit into the present you’ve got to find a better way of working .I’m not interested that much in nostalgia I’m part of it the gentle annoyance.
Nostalgia is not what it used to be
Dashboard but not fingerboard word press to a new page
New links oh no I have to make sure it’s embed in blue.
Conscious thoughts edit for me
We pummel ourselves we think we’re broken
That’s were I want to be.
Don’t hide inside others to be seen
The world it’s good with that
Someone asked me “what is your practice ?
Its part of the process of change you see.
Concepts inherent in everyday materials life
we pull out help from inside
but at the same time it legs us up
That’s how it is .
Jill presents a nostalgic image of herself and her sisters in their early years. This reflection on a childhood memory allowed Jill to work through trauma caused by the loss of her sister to cancer. The process of applying acrylic and oils on slate experimenting with laying is addictive in its quality. This intensive approach acted as a therapy. In using monochrome palette Jill believes a greater connection is made with the viewer and reflects the nostalgic feelings being explored.
Vintage #slate from #Wales … Coalface connections my hard working dad
Prep slate,plastic paint and glasses let’s not leave the brushes behind ,cut perpex palette draw out the form from the darkness .
Behind the scenes terrified of not going out there . the actress must see someone else in the mirror we have to make sure it is us we see.
Possibilities inherent in the everyday materials of life slate image formed out of the darkness while in a studio space in Rotherham Southyorkshire
the studio door shut the smell of paint gone.